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The History of Community Radio |
- See also CIBL: alternative radio in French - Roger Fritz Rhéaume
Promoting content in
French and Cultural Diversity
The initial goals of community
radio
included democratizing access to the media and expressing cultural
identity and
differences. To these were added the desire to have local programming
in French
and also to include cultural diversity through voices and music from
elsewhere.
Even though the community radio
model is
quite different from the private or public one, community stations must
still
follow CRTC regulations with respect to “Canadian content.” A minimum
of 30 % of
the music broadcast must be Canadian in origin. French-language radio
must ensure
that 65 % of its vocal music is in French. Private industry has always
resisted
such regulations, on the grounds that quotas harm the quality of music
they
offer and hence hurt their ratings. It is interesting to note that some
community radio stations have protested against the same policies but
for less
commercial reasons. They suggest that content rules reduce the room
available
to broadcast music from other parts of the world, which prevents
community
stations from fulfilling their goal of cultural diversity.
Urban radio stations in Montreal
and
Quebec City are broadcast on an FM band alongside many private
French-language
stations. They target social, cultural or economic groups which do not
see
their needs and interests reflected in the programming of the big
commercial
stations. In this they differ from private and public radio, both of
which seek
to gain and maintain the allegiance of a particular audience. By contrast, it is rare that one listener or
type of listener will be interested in everything that an urban
community
station broadcasts in a single day.
Programming on urban community
radio is
highly eclectic, sometimes broadcasting in many languages. Further,
community
stations are often associated with younger, more marginal or
avant-garde
audiences than the other stations. These segments of the population are
reflected among the volunteers, who come either from one of the
station’s
target audiences, or from the pool of students or other individuals who
want to
work in the media, either as a career or for a short time only. Urban
radio
stations are also the ones that have the biggest financing problems:
the
competitive urban media landscape makes selling advertising difficult,
the more
so since many city-dwellers are not even aware of the existence of
community
radio. This latter condition can often be exacerbated by the fact that
programming is fragmented and so is not able to gain and keep the
loyalty of
its listeners amidst the high media concentration of the big city.
This situation shows no signs of
changing
for the better with the imminent arrival on the scene of a number of
specialized radio stations (thematic or musical). Quebec’s association
of
community radio stations, the Association des radios communautaires du
Québec
(ARCQ), claims that this may cause irreparable damage to urban radio
stations in
the Montreal area, and may even threaten their existence. Some twenty
requests
for licences have been lodged with the CRTC in the urban areas of
Montreal, Sherbrooke,
Saguenay and Trois-Rivières.
The threat to community stations
will
likely persist, unfortunately, despite the constant efforts of the
community
stations to maintain programming unavailable elsewhere in Montreal.
Their
offerings include promoting innovative musical styles, jazz, blues,
techno, or
particular elements in the area of French and Quebec vocal music.
However, the
programming that allowed community radio to create a niche up until now
could
potentially be dissolved amidst the super-specialization of the
airwaves.
The balance sheet drawn up by
ARCQ in a
news release published in January of 2003, suggests this. It describes
a
situation in which eight out of nine community radio stations operating
in
Quebec’s large and medium-sized cities were in precarious financial
situations
in 2001.
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Last
update:, June 7, 2004
URL http://www.phonotheque.org/.../Promo-francophone-eng.html